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Sunday 5elect – Vol. 027

Welcome to this week’s edition of Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week is a healthy mix of chill future sounds and intense bass music. Enjoy below!

1. smle – By My Side

Zed’s Dead new label – cleverly named Deadbeats – has released its first compilation EP and it features some of the best rising stars in the electronic scene – smle, Kid Froopy, and REZZ being my personal favorites. “By My Side” is a downtempo example of what made people start listening to future bass in the first place: pleasant synth chords that bounce with the beat and pack a punch of their own. You can hear how each swing of the chord brings with it a little rumble of bass that adds considerable depth to the track.

2. Tennyson x Mr. Carmack – Tuesday

So apparently Red Bull hired Tennyson and Mr. Carmack to produce three songs in three days, and Red Bull is releasing them for free on Soundcloud. Sounds like a pretty good deal to me, and out of the three songs (Tuesday, Wednesday, and Thursday), Tuesday is definitely my favorite. This genre-bending track mixes flitting fills and full, lingering bass to create a relaxed, almost jazzy atmosphere. It’s the ideal chill electronic track.

3. Shawn Wasabi – SPICY BOYFRIEND

In the Valentines day spirit, Shawn Wasabi released an absurdly happy and almost unbearably cute track titled “SPICY BOYFRIEND.” It’s a futuristic sound that wouldn’t be out of place on a Moving Castle release, with light horns, organic sounds, and heavily filtered vocals that come together to create a feeling of carefree joy.

4. WHAT SO NOT – JAGUAR (LUCA LUSH LIFT)

Luca Lush pumps out music at a prodigious rate, and each of his songs always seems to have at least three different drops, so every new release is a 3-for-1 deal. Taking on What So Not’s legendary bass tune “Jaguar,” Luca Lush does what he’s best at – he traps it the fuck out. What’s most impressive, however, is how well he keeps the feel of the original underneath the distortion and heavy synthwork.

5. josh pan – djing on acid ep. 1 ft. gta & getter on holy ship

This set somehow made me want to go to Holy Ship! even more than I already did. Josh Pan puts on an intense bass house set with GTA and Getter (not to mention, Oshi, Herobust, and Party Favor) all while tripping balls on acid. Before uploading it to Soundcloud, Josh added in some hilarious commentary where he explains how he was feeling at various points during the set (and how he fucked up the set because he was tripping too hard). All in all – the set is an amazing journey into the harder side of EDM, and I can’t even imagine how lit it would have been live.

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Sunday 5elect – Vol. 025

Welcome to this week’s edition of Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week has a darker vibe. Enjoy below!

1. REZZ X K?D – FOURTH IMPACT

REZZ and K?D is a dream collab for those on the heavier, techier side of the electronic spectrum. Both artists are known for powerful, four-to-the-floor bangers that fill the entire sonic range when they blast out of speakers. “FOURTH IMPACT” is a techno house composition with both of the artist’s styles imprinted on the track. The first half of the song sounds like a pure REZZ tune, while the second drop (my personal favorite) sounds like a dark take on a K?D production. Only listen to this track loud and with bass-infused speakers.

2. tails. – YAYO

tails. channels his signature trap sound into a hip hop-influenced party track titled “YAYO”. Rap samples and trap beats have always gone well together, and tails. focuses the attention of the listener on his high-quality production by keeping the track simple. A bouncing bass, rolling snares and powerful fills are all he needs to whip up a banger.

3. Billie Eilish – Six Feet Under (BLU J Remix)

Wherever there is a smooth female vocal sample to be found, you can bet that a talented deep house producer will find it and work it into a bumping remix. BLU J teased this track in his recent Too Future. mix and the full version exceeds expectations. Rather than just using the vocals to prime us for the drop, BLU J made an effort to edit Billie Eilish’s soothing voice into the beat itself, bring the track closer to the feeling of an original than a remix.

4. whereisalex – we’re going down

I always appreciate this type of downtempo trap production because it needs to be so crisp, clean, and meticulously put together to be good. These tracks feel like minimalist interpretations of music that focus on how individual sounds can interact in a clean space to produce a unique vibe. They also bump hard. It seems like whereisalex only uses each sound once or twice to create a sort of journey as you progress through the song. Give it a thoughtful listen.

5. Dom Dolla – Selected Deep House 850k Mix

It’s been a while since I’ve featured some deep house on here – so here’s an hour of it. Dom Dolla is a pretty chill producer and this mix is a calm, driving exploration of bass and low-key vibes. It’s never over the top, sometimes borderline ambient, and always pleasant. Check it out for lots of nice house instrumentals.

 

Wary

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In the depths of winter, people look toward the warmer times ahead. Tickets are going on sale for Coachella, Firefly, Gov Ball, Paradiso, (insert every other festival here) as we speak and as the Festival Bubble continues to inflate the lineups continue to get more ridiculously packed with great artists. It’s not the worst thing, you can see many of your favorite artists for a (usually) reasonable price and devote a whole day to nothing but enjoying music and friends. However, as I’ve begun to enjoy intimate, $10 concerts in underground venues or club-based events the sheen with which festivals used to shine in my eyes has faded to a dull luster. There’s another up-side to the phenomenon, though, at least for consumers of music: artists time up some of their best releases with the sale of the tickets to grab people’s attention and thus the depths of winter are full of songs that may well become summer jams. I’ve collected some of those for you below.

We start off with the energetic, happy electronica that I (and hopefully you) have come to love. Louis the Child has graciously presented us with another hit, Griz and Gramatik teamed up for a funky banger, and Pluto continues his journey to the stars with a hard-hitting remix of Yeezy and Future. We briefly flirt with some high-BPM bass of the “future” and “drum and” varieties before settling into some poppy, yet crisp house music and light trap. Trap music’s low BPM provides a smooth transition into some chill electronica and alt-rock – the focus here is on the calming bass and the emotional vocals that make this my favorite part of the playlist. The calm vibes eventually give way to house, and then rap, and then, inevitably, bass house, techno house, and full-on disgusting trap music. You know this part of the playlist, insanely aggressive but fantastic in the right context. The last part of the playlist is less eclectic than usual – you can think of it as a toned-down version of the start of the playlist. These songs aren’t any worse, they’re just a bit less energetic and more scattered across the vibe spectrum. To go out with a flourish, I have some funky house and alt-rock for you in the last couple of songs. Be sure to like and repost on Soundcloud if you’re feeling the set. Enjoy!

Vibe Guide:

  • 1-15: Energetic electronica
  • 16-19: Pop house
  • 20-24: Chill trap
  • 25-40: Chill electronica and alternative
  • 41-44: Electronica with rap
  • 45-47: Bass house
  • 48-51: Techno house
  • 52-58: Trap
  • 59-74: Electronica
  • 75-86: Funky house
  • 87-95: Ambient electronica and alt-rock

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Deese

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The end of the year usually comes with a lull in the number of new songs coming out as artists are just finishing up their fall tours and not yet building up hype for their spring adventures. However, this lull usually makes up for itself in the proliferation of new DJ sets that provide a unique insight into how artists have been captivating their crowds for the last few months. These sets are fantastic ways to find new music – after all, these are professional DJs that are deeply embedded into the music scene. On top of all this, there are still plenty of new releases. After all, most musicians can’t help doing the thing they love: creating. The playlist below contains the best indie tracks that have come to my attention this December.

As always, we start with the best of the best. Chill vibes via Kidswaste, Pluto, Pham and Alison Wonderland begin our journey with a positive, playful vibe before we “knock it up a notch” with Bajillionaire. It’ll be a long time before we chill out again. Hex Cougar, Whethan and Krewella keep the energy up with a mix of future bass and moombahton beats until Autograf primes us for some hip-hop jams. After a brief flirtation with rap and trap we return to the familiar realm of future bass remixes of pop songs that provide some much needed ear candy before the heavy beats to come. After we enjoy a few funky house tracks, Eric Prydz’s alter-ego CIREZ D hits us hard with stunningly well-produced techno track. This is the first of several tracks that are extremely hype and would fit in well with a heavy deep house set by SNBRN, Dr. Fresch, or MAALA. Once past this gauntlet, it’s smooth sailing form here on out. Some upbeat, chill house will ease you through the end of the playlist. Here’s a rough map of the tracks for your convenience:

  • 1-16: Upbeat indie EDM
  • 17-21: Hip-hop and hip-hop influenced electronica
  • 22-24: Trap
  • 25-27: Progressive and experimental house
  • 28-36: Pop-influenced future bass
  • 37-42: Funk-influenced EDM
  • 43-55: Techno house and trap
  • 57-86: Chill melodic house, future bass, and funk

Enjoy below!

 

Illenium ft. Joni Fatora – Fortress (Mr FijiWiji Remix)

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Another outstanding piece of work off of Illenium’s Ashes Remix album, Mr. Fijiwiji’s take on “Fortress” is downtempo and haunting. Bass constantly rumbles in the background creating an ominous energy. Joni Fatora’s vocals, passionate in the original, are now placed in a darker context. The nicest single touch that Mr. Fijiwiji incorporates into the remix may be the filtered vocal chops that slowly crescendo and recede into the background of the track, each one a musical accent that adds to the atmosphere of the song. Enjoy below!

Elsa Carmona – Run Baby Run

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Stockholm-based pop artist Elsa Carmona’s latest single “Run Baby Run” starts off dark and ominous but slowly comes into a passionate life of its own. An alternative take on a traditional pop song structure, Carmona’s track prefers dark distortions to catchy hooks and sultry verses to generic vocals. The chorus is where this track comes together – Elsa’s voice provides a light contrast to the industrial beat below it. Enjoy below!

Timeflies – Gravity (Pilot Flip)

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Aspiring DJ and producer Pilot is back with an ultra energetic flip of Timeflies’ hit song “Gravity” and it’s sure to get the crowd going during his live performances. Pilot skillfully eases you into the upbeat vibe of the track with increasingly powerful bass chords before hitting you with some melodic future bass in the chorus. This is his sharpest banger yet, with euphoric fills and catchy vocal chops. Enjoy below!