Sunday 5elect – Vol. 035

Welcome to this week’s edition of the Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week is packed with  bangers. Enjoy below.

1. Grandtheft & Delaney Jane – Easy Go (Pham Remix)

Pham’s remix of “Easy Go” is one of the best electronica releases I’ve heard in a while. It takes the upbeat and hopeful original and transforms it into an energetic, yet haunting electronica track.

2. Big Wild – Empty Room (feat. Yuna) [Win and Woo Remix]

Big Wild x Win and Woo was guaranteed to produce a banger. Recently had the opportunity to see BW live and it was one of the most fun experiences of my life. He knows how to turn up and explore the darker side of his style. Win and Woo capture the essence of that more intense, party-ready vibe in a way that remains faithful to the original.

3. Flume – Wall Fuck (Gramatik & Ramzoid Remix)

Flume’s experimental track “Wall Fuck” off of the album Skin has received so many creative remixes because of the unique sounds that it debuted to the electronic world. Gramatik and Ramzoid harness the original’s signature synths to much effect throughout the entire track – mixing it into the intro, drop, and soothing outro.

4. MADEINTYO – Skateboard P (Styles&Complete x Jayceeoh Remix)

Feeling blessed that this track appeared on my feed. An intense trap collab that definitely makes the drop the focus of the song. This is a pure banger.

5. Tchami – Confessions #2

Sometimes in order to understand why music is the way it is today, you have to look to the past. I’ve been exploring a lot of deep house and techno vibes recently and wanted to see where the genres’ roots lie. Tchami’s legendary Confessions #2 mix provides a perfect blend of deep house and hard trap.

Grouplove – Good Morning (PINES Remix)

Screen Shot 2017-04-19 at 11.25.42 PM

My favorite Australian duo PINES has put out their first track since trending #1 on HypeM and racking up over 100k plays on Soundcloud with their original hit “Tell Me” and it’s a fantastic add to their rapidly growing discography. Atmospheric bass synths and ever-crisp snare rolls perfectly complement the indie-pop vocals and create an upbeat vibe for this remix of “Good Morning”. Now that they’re done rocking SXSW I hope that time back in the studio means more new PINES releases coming through soon. Enjoy below.

Sunday 5elect – Vol. 026

Welcome to this week’s edition of Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week has a fun, chiller vibe. Enjoy below!

1. Kidswaste – Wild (feat. Khai)

One of my favorite rising stars, Kidswaste, is back with one more single before his debut EP titled Spleen comes out on February 24th. If music is truly self-expression, then this young producer must be one of the most happy, chill people in the world. Acoustic guitar riffs, gentle snares, and Khai’s soothing voice come together to create an atmosphere of calm joy. I’m looking forward to the EP.

2. Deadmau5 ft. Grabbitz – Let Go (FVRY Remix)

Just a couple of weeks ago I had the opportunity to interview FVRY, an aspiring producer out of N. Ireland with a unique synthwave sound, and yesterday he released a dark, genre defying remix of Deadmau5’s “Let Go.” Infused with sci-fi movie dialogue and glittering synth breaks, this new remix starts off haunting and descends into hard, rolling beats that leave the listener feeling intense and focused. A huge addition to FVRY’s discography.

3. Tchami – Adieu

Tchami’s new track is a chill deep house masterpiece that hits the sweet spot in between bumping and relaxing. Slow build-ups and rewarding doses of bass make this a track that ebbs between anticipation and release.

4. FRND – Substitute

FRND has a passive-aggressive, smooth pop vibe that seems to focus on dysfunctional relationships within friend groups, and I find his tracks strangely addicting. It’s probably the immaculate production combined with pure catchiness that makes each of these songs sound like candy to the ears.

5. Defunk – All Good Radio Ep. 08

When introducing me to this mix, a friend introduced Defunk’s sound as “like GRiZ, but trappier.” I think that this is a pretty accurate description – imagine a more future-bass Big Gigantic. This is one of the best sets I’ve heard in a while. It’s so smooth, funky, and the perfect balance of turn-up and chill. I strongly recommend it.

 

What So Not – Lone (Slow Hours Remix)

wsn-slowhours

It’s not easy to take a What So Not track and turn it up another notch, but the newly formed French collective Slow Hours has pulled it off. Coming together to create a better network of young producers in France, Slow Hours is made up of Kidswaste, Khamsin, Lain, Kultur, Rusty Hook and Astre. I’ve been a big fan of some of these artists for a while now, and I have a feeling I’m about to become a fan of all of them. This track hits hard on the first drop and doesn’t let up. A perfect blend of future bass fills, soaring vocals, and glitchy distortion make the song aggressive but subtly melodic. I’m looking forward to more from Slow Hours. Enjoy below!

Alexx Mack – Whatever I Want (Kapre Remix)

screen-shot-2017-02-07-at-6-21-42-pm

Our boy Kapre is back with a tune that’s on a whole new level. A new, refined production approach and perfectly chopped vocals make this track an addicting hit. Energetic drops rumble with bass in a way that adds tons of energy but doesn’t overwhelm, and the calmer verses allow the listener an opportunity to enjoy Alexx Mack and recharge. Enjoy below!

Sunday 5elect – Vol. 025

Welcome to this week’s edition of Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week has a darker vibe. Enjoy below!

1. REZZ X K?D – FOURTH IMPACT

REZZ and K?D is a dream collab for those on the heavier, techier side of the electronic spectrum. Both artists are known for powerful, four-to-the-floor bangers that fill the entire sonic range when they blast out of speakers. “FOURTH IMPACT” is a techno house composition with both of the artist’s styles imprinted on the track. The first half of the song sounds like a pure REZZ tune, while the second drop (my personal favorite) sounds like a dark take on a K?D production. Only listen to this track loud and with bass-infused speakers.

2. tails. – YAYO

tails. channels his signature trap sound into a hip hop-influenced party track titled “YAYO”. Rap samples and trap beats have always gone well together, and tails. focuses the attention of the listener on his high-quality production by keeping the track simple. A bouncing bass, rolling snares and powerful fills are all he needs to whip up a banger.

3. Billie Eilish – Six Feet Under (BLU J Remix)

Wherever there is a smooth female vocal sample to be found, you can bet that a talented deep house producer will find it and work it into a bumping remix. BLU J teased this track in his recent Too Future. mix and the full version exceeds expectations. Rather than just using the vocals to prime us for the drop, BLU J made an effort to edit Billie Eilish’s soothing voice into the beat itself, bring the track closer to the feeling of an original than a remix.

4. whereisalex – we’re going down

I always appreciate this type of downtempo trap production because it needs to be so crisp, clean, and meticulously put together to be good. These tracks feel like minimalist interpretations of music that focus on how individual sounds can interact in a clean space to produce a unique vibe. They also bump hard. It seems like whereisalex only uses each sound once or twice to create a sort of journey as you progress through the song. Give it a thoughtful listen.

5. Dom Dolla – Selected Deep House 850k Mix

It’s been a while since I’ve featured some deep house on here – so here’s an hour of it. Dom Dolla is a pretty chill producer and this mix is a calm, driving exploration of bass and low-key vibes. It’s never over the top, sometimes borderline ambient, and always pleasant. Check it out for lots of nice house instrumentals.

 

Sunday 5elect – Vol. 024

Welcome to this week’s edition of Sunday 5elect, where Economix readers get insight into the top five tracks dominating my headphones right now. This week goes really hard. Enjoy below!

1. Kaskade & deadmau5 – Move for Me (Hex Cougar Remix)

Hex Cougar has quickly emerged as my favorite producer in the game right now. Some of his best tracks are hidden away on his remix account Hex Cougar’s Hextras but these are professional-quality remixes that take songs in directions you never though they’d go. His remix of “Move for Me”is the perfect example. The airy vocals slowly fade in and out of the track while the instrumental slowly but surely builds up into an explosion of sound that is grating and powerful. This is a song hand-crafted for an amazing live experience.

2. Pluto – I Won

Aspiring producer Pluto has boosted his astronomical rise in the indie EDM scene with “I Won”, a heavy-hitting remix of the Kanye x Future song of the same name. Iconic lyrics interweave with bass-heavy production to create a party anthem ready to be loved by EDM and pop-rap fans alike.

3. Loud Luxury – Something To Say (AFTER:HRS Mixcut)

I caught this smooth house track in The Magician’s latest Magic Tape and was instantly hooked. The vocals are hypnotic, and when the bass hits on the first drop it’s impossible not to start bouncing. The lyrics are odd but the way they keep moving forward and tell a detailed story is captivating.

4. BIG GIGANTIC – THE LITTLE THINGS (LUCA LUSH REMIX)

When Kasbo remixed this same tune by Big Gigantic into a chill masterpiece, I thought that I had heard the last re-imagining on the song. Then walks in Luca Lush. It would be hard to imagine a remix in a further direction from Kasbo’s, and it’s pretty amazing in its own, fucked-up, overwhelmingly aggressive trap way. In the right setting, at the peak of an amazing set, this song could be the highlight of someone’s night.

5. Vincent – Snowglobe 2016

Future-trap producer Vincent had the chance to strut his stuff on the main stage of Snowglobe this past December and he made the most of it. Full of his own remixes and a few promising IDs, this set perfectly walks the line between trap and melodic future bass music. Energetic, uplifting, and at times aggressive this is one of my favorite mixes I’ve heard in a bit.